Karen Kraven is a Montreal-based artist working with photography, sculpture and installation. Influenced by her father's (and his father's) knitting factory that stopped manufacturing the year she was born and by the physical and optical properties of textiles, her practice explores the ways clothing registers the body–how the body is unfinished, unstable and under interrogation–pointing to the sustained impact of work, wounds and wear.
Recent solo exhibitions include Dust Against Dust, Parisian Laundry, Montreal (2019), Pins & Needles at the Toronto Sculpture Garden (2018), Deadstock, Maw Gallery, NYC (2017), Flip Flop Punch Front, Mercer Union, Toronto (2015) and Razzle Dazzle Sis Boom Bah presented at the ICA, Portland, Maine and the Darling Foundry, Montreal (2014/5). Her work has also been included in exhibitions in Toronto, Marseille, Mumbai and Baltimore. Reviews have been published in C Magazine, Canadian Art, Momus and Artforum. Karen Kraven is represented by Bradley Ertaskiran in Montreal.
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Kim McCollum is an Edmonton-based artist work explores relationships between digital and analog, old and new, hand and machine. Using the structure of the grid, she investigates visual relationships between weaving patterns and digital space. McCollum holds an MFA and MSc from the University of Alberta and is a creator of networks within local craft and arts communities in Edmonton, connecting people and ideas through her work as an artist, organizing events, and working as an educator. She also co-owns Gather Textiles, a workshop space and community building initiative.